ZME Music: I love the idea - I really do. What bugs me though is the thought of forcing creativity. It can work very well at first (I love your work so far), but in time, after fatigue, routine and creative blocks step in, it can lead to quality deficits. Thoughts?
Aidy: You’d only be forcing creativity if you weren’t a creative person in the first place, like I said before I’m an extremely creative individual and this actually isn’t a massive difference to my regular output. I’m always writing and recording new songs, the only difference is I’m probably spending a bit more time polishing things and getting them into a state where I’m happy to send them out into world each Friday.

Click here to read the full interview at ZME

"Jennifer Shelton chats to a social worker and a musician from Cambridge who show the true spirit of Christmas in their fundraising for the street children of Ecuador.

CHRISTMAS is a time for giving, whether it's a beautiful piece of jewellery lovingly wrapped or a delicious turkey dinner for the whole family.

The music is nice and sweet, the vocals are nice and sweet but the lyrics are filled with disappointment and bitterness and I love it.
Halfway between Eels and Randy Newman, Adrian Killens takes the soft music style and layers it with an uncharacteristic anger that creates a juxtaposition of style and content to create a collection of songs that are endearing, funny and thought provoking.

"SELECTED DEMOS 2002-2009 is something of a revelation. ‘Prettyish’ opens the collection with a nicely strummed intro that winds its way through the whole song. Vocally, Aidy has a young, rather sweet voice. The song is strongly melodically and lyrically, while production is surprisingly good. A dark and reflective start to the album. ‘22′ is an altogether rockier affair with blanket electronic guitar riffs dominating with Aidy’s voice just managing to show through the dirty haze.